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quatre édifices majeurs à travers le dessin et les mots
dont seuls les contours laissent deviner leur présence perdue
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Against Barthes mythe quatre édifices majeurs à traversThe gesture of pointing is the perfect embodiment of photographys function as a visual document: an injunction to look at this. In this textual and visual essay, artist Joan Fontcuberta takes the index finger as his point of departure for an insightful and irreverent consideration of photographys relation to indexicality. He refutes, as well as draws on, Roland Barthess suggestion that every photograph tells us this has been (a a t), reckoning with